Cinema and Performing Arts
"We are financially stable — we have almost no money": how "Other Beasts" work and what they stageDarya Zabrodina
Only hearing and memory, only hardcore: how Soviet films were taught to speak Uzbek in TashkentDiana Ibatullina
Dzhumagul Liberated: The main Karakalpak saga of the 20th century, in which a woman ceases to be a patriarchal victim
Amirbek Abdirov
Ivan Vasilyevich Changes Dubbing: We Tell About the Golden Age of Uzbek Dubbing
Diana Ibatullina
Tashkent-Cannes: Uzbek cinema worthy of the festival
Diana Ibatullina
Between the "Palm Branch" and the Artistic Council: Why Uzbek Films Are Not Shown at Cannes
Эльдар Юлдашев
Through archives and sound: how Central Asian directors showcase art
Diana Ibatullina
A fairy-tale world of true goodness: what Uzbek animators are talking about in their (very cozy) works
Мария Бобова
The younger brother has grown up: discussing the evolution of the image of an Uzbekistani in Russian-language cinema
Diana Ibatullina
A Dollar’s Curse: How Horror Found Its Way to Uzbekistan
Diana Ibatullina
Dangerous Double: Why Do People Die on Film Sets?
Diana Ibatullina
Newsletter
A letter from the HD editors
Once a week, we send the best stories, events, and cultural discoveries from Central Asia.