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Kettik! 06/26
The week has gathered almost everything at once: an open-door craft school, a dawn bike ride, a vinyl evening, and a lecture on Akhmatova – the one who wrote about wartime Tashkent. At the Bolshoi Theatre, three productions in one go: Prokofiev’s classic, the Eastern drama *La Bayadère*, and a concert by the theatre’s young generation. For those who have time to think, to move, and simply to spend an evening in good company. Well then, let’s go!
Kettik! 06/19
The week opens with light and sound: James Clar's final showcase, featuring a video installation filmed at a solar furnace in Parkent, and a set by Paranoid London at an electronic music night held at the Railway Technology Museum. From there, the programme unfolds into Japanese mysticism à la Murakami, a close reading of Roland Barthes, a conversation on Frida Kahlo and AI art at Christie's, and a performance of Puccini's Tosca at the Navoi — all within a single Saturday. Rounding things out are a lecture on architectural heritage and a simultaneous screening of a French film across both Tashkent and Samarkand. Right then — let's go!
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Vyacheslav Akhunov: Yellow Noses of War Veterans, Shot-Up Medals, and the Moment of Creative Intoxication
Vyacheslav Akhunov is one of the key figures of Central Asian conceptualism. His works are held in collections from Urgench to Auckland in New Zealand, and his name is known in Venice and Kassel. In this monologue, he recalls his childhood in Soviet Osh, where war veterans were buried almost every day, and his father was doing performances before the word existed.
How Inclusive Theatre Survives in Almaty
Theatre as an institution relies on transformation. Yet there is a form of theatre where accepting yourself matters more than playing someone else: it is an inclusive theatre. As a rule, it brings together both “ordinary” and “special” performers. Today, Almaty is home to two such projects: the theatre laboratory Deystvie Bukvalno and the social theatre Adamdart. Both are unique projects that deserve a closer look.
Uzbek Game Dev: Difficulty Level – Hope
In the twenty-first century, the struggle is no longer only for territory and resources, but also for players’ attention across the globe. Poland exports millions of copies of The Witcher, Japan offers catharsis through the controller, and China projects soft power through the gacha format. But where does Uzbekistan stand in this global game? And will there be a project capable of making the world learn our myths, remember our names, and explore our architecture, even if only in virtual form?
A Beautiful Shot Isn’t Enough: Uzbek Cinematographers on the State of the Industry
The advantage of a film theorist’s perspective, or simply that of an attentive viewer, is the ability to perceive a film not only as a cohesive and original work, but also as the result of a complex collective effort. Such a view allows to notice the precision of costume choices, the way editing rhythm serves the narrative, the expressiveness of light in relation to genre, and the musicality of the image, the elements that often remain unnoticed by the general viewer, who tend to perceive and evaluate a film as a whole.
News
The Goethe-Institut will launch the 7th season of the GameDev Goethe project.
News
An Australian artist has been accused of copying works by Basquiat and Harding.
News
The Kyrgyz film "Chake" premieres at the House of Cinema Arts.
News
Artists from Uzbekistan to Gain Opportunity to Attend the Venice Biennale: International Competition Now Open for Submissions
News
Sergey Zhuravel held a three-hour masterclass at the Conservatory of Uzbekistan.
News
Andijan Polka Claims Guinness World Record
News
Tashkent Hosts Presentation of Alexandra Spiridonova’s New Book 'At the Border of Evening and Spring'
News
The premiere of the film "Goal Across the Ocean" brought together Tashkent and the American diaspora.
News
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