The name connects two poles of one state: “tinch” — silence, tranquility, serenity — and “ultra” — the energy of modernity, swift, technological, ever-changing.This contrast, according to the artist, reflects the inner journey toward balance: how to preserve quiet harmony in a world of constant motion.

The HD Magazine editorial team spoke with Tamila Bismahova on the eve of the event. Tamila talked about the exhibition, her creative break, and the choice of venue:

“The exhibition will feature figurative paintings that I have created over the past year—this is the result of my search after a long break. For the past year and a half, I have been painting without interruption. After moving and getting married, in a calm environment and with my husband’s support, I was able to focus on painting. In addition, I started taking lessons from Bobur Ismailov—which strengthened my confidence that I can create, and a clearer direction emerged,” the artist notes.

Tamila Bismakhova explores the theme of inner peace through various mediums—painting, graphics, and object art. Her works are minimalist and sensual: soft lines and flowing forms create a meditative effect. They invite the viewer to pause, listen to themselves, and feel the fragile beauty of the moment.

At the same time, Tamilya's paintings are full of color—sometimes bright, saturated, as if absorbing the palette of earth, clay, sunlit ochre, azure sky, and garden greenery:

“This is the living connection with Uzbek culture, its warmth, earthly grounding, and profound humanity,” notes the artist. 

In her paintings, female images often appear—gentle yet strong, born out of respect and admiration for the women of the mahalla, their dignity, inner resilience, and sensual strength.

Tamila observes the world around her attentively: applied arts, the forms and rhythms of everyday life, natural motifs and textures. None of this is illustrated literally, but rather dissolves into lines and color, transforming into the plasticity of the image. 

The exhibition space is also of particular importance. 

“The exhibition will take place in an Uzbek house, in a mahalla. I wanted to remove the barrier that often arises between the viewer and the space, especially when it comes to galleries. This house has arched vaults—they resonate a lot with my paintings. It’s cozy here, and this homely atmosphere is close to me,” says Tamila.

This is a traditional Uzbek dwelling with carved wooden columns, warm textures, and soft light streaming through arched openings. Here you can feel the breath of the mahalla: unhurried, filled with a sense of rootedness and trust in the space. Such a home preserves memory, care, and warmth.

In such an environment, the artist's fluid painting does not oppose the world, but dissolves into it, as if continuing the line of architecture and the rhythm of everyday life in the mahalla.

The “Ultratinch” project will be an invitation to slow down and contemplate—something especially important today. There will be no loud manifestos here: the idea of the exhibition is to find peace within a fast-paced, ever-changing world.

Opening — November 2 at 15:00

Address: 84 Shakhzhakhon St., Tashkent